Showing posts with label 18x24. Show all posts
Showing posts with label 18x24. Show all posts

Thursday, April 22, 2010

The Maze 3


Painting 1.11, Fin arch in the maze. First, a quick lesson in how arches like this are formed. Once an area of stone has been reduced to tall fin-like pillars of sandstone there are a couple of ways that arches may be formed from these fins. One way is the seepage of water from precipitation into small cracks in the rock. When temperatures are cold enough, this water will freeze, expanding and putting pressure on the surrounding rock until pieces break off. If a fin is strong or weak in all the right places we might be able to temporarily see an arch form shortly (geologically) before the fin collapses entirely. Because arches form as a result of large chunks of rock breaking off rather that being worn down by wind, the features of an arch are usually jagged. In the case of this arch, most of the features have been smoothed by the passage of time. This makes it hard to pick an absolute point where shadows fade into light. As a result, looking at this now, I feel like some of the locations of dark shadows seem a bit arbitrary and do not lend the painting any depth. I plan to revisit this subject again to see if I can approach it in a different way.


Giclee Print

Wednesday, April 14, 2010

The Maze


Painting 1.9, unnamed. This pothole arch is located in the remote maze district of Canyonlands NP. This is the painting that I most often look back on when I'm stuck trying to figure out how to translate what I see into a painting. The texture in the rocks in this painting came out just like I was hoping it would and the dark shadows really express the contrast that I think makes desert landscapes so interesting. There's something special about "The Maze". Its an extremely remote and difficult to reach area of Utah. When I try to paint scenes from this area I'm always inspired imagining the solitude in which these formations exist.


Giclee Print

Arches National Park


Painting 1.7, Sandstone Fins in Arches NP. I think one of the things that attracts photographers to Arches is the way that the sandstone formations cast such absolute shadows. When looking at a landscape from this area you expect to see stark contrast between light and dark. So often shadows are seen as a problem in photos, so much so that people are always working on ways to create HDR (high dynamic range) photos by combining multiple bracketed exposures. No such trickery is required in the desert though. The shadows become points of interest, where what you can't see is almost more fascinating than what you can. When I'm looking though pictures that I've taken trying to find something to paint, I'll often try to find the pictures with the most interesting shadows because that's the most fun part of the picture to paint!


Giclee Print

The White House Ruins


Painting 1.3, The white house ruins, an ancestral puebloan cliff dwelling in Canyon de Chelly National Monument. I really loved how there appeared to be a seam in the rock wall leading down to where these structures were built. Unfortunately I didn't have time to hike all the way down to the base of the cliff. These cliffs are excellent displays of streaky coating on sandstone known as desert varnish. I'm still trying to figure out a way to depict it in a painting, because it is truly one of the defining features of the landscape.


Giclee Print